Trails and Treasures

As I mentioned in my last post, Nina Fogelman of Ancient Summit works with a group of weavers in the Sacred Valley.  By taking her clients to meet them and learn about how they ply their craft, she reinforces the importance of their weaving in the ancient manner while providing them a means for earning money without turning their village and themselves into a spectacle or just another stop on the tourist circuit.  Clients are encouraged to make their visit a learning stop, not a shopping stop.  No tips are allowed.  If one wants to help the village, bring school supplies.  At my hotel, I met another of Nina’s clients; he was spending the week as a volunteer in the school.

When I arrived just after lunch, about a half dozen women were working and chatting in the open plaza in front of the village church.

Village Church in the Sacred Valley

Weavers in the Village Plaza

One of the women took me, with my translator guide, for a stroll into the countryside where she pointed out various plants, explaining their medicinal and other practical uses such as in dyeing wool.  Along the way, we met a woman moving sheep, although I had a hard time figuring out who was leading whom.

Sheep were introduced by the Spanish and are the primary source of wool in the Sacred Valley, not llamas or alpacas.  This little one didn’t want to move along.

Back in the village, another woman demonstrated how they clean the wool using the root of the plant Sacha paraqay.  Sheep’s wool is very greasy and needs to be washed several times to get it clean.

As in most of Peru, these women use a drop spindle for spinning.  According to Nilda Alvarez (see my last post), children begin to spin when six or seven years old, and, by the age of ten, are expected to produce usable yarn.

Using a Drop Spindle

This child was “helping” to dye a skein of yarn.

Traditional Andean weavers use a backstrap loom that produces a warp-faced weaving.

Using a backstrap loom

Warp-faced weaving

Weaving on a Backstrap Loom

As I noted in my post about the reed-weaving Uros, working outdoors as these women were is typical throughout Peru.

The Spanish also introducing knitting to Peru.

Note the details of the hats

The book being examined by the woman above appeared to be a notebook of patterns.  Documenting patterns and their meaning is a recent phenomenon.  As more and more people leave their rural communities of birth for consumer-focused city life, weaving traditions are being lost.  These women are doing their part to insure their traditions are not lost to the future.

“Peru has the longest continuous textile record in world history. “ 

The earliest fragments of Peruvian textiles date from about 8600 BC; that’s 10,000 years ago.   Peruvian pottery can only be traced back to between 1500 and 1000 BC.

It would be impossible to visit Peru today without recognizing that weaving and textiles more generally play important roles in the tourist trade.  In Cusco, the tourists’ mecca, the streets are lined with shops selling all types of woven items, everything from chullos (those knit hats with ear flaps and tassels) to exquisite alpaca sweaters.

Just one of many types of woven hats for sale in Cusco

In the Sacred Valley, most tour operators make sure you visit at least one site or shop related to weaving.  In a previous post, I mentioned my visit to Awana Kancha, a weaving collective.  In addition to viewing the raw ingredients on the hoof, the visit included an introduction to how the hair was transformed into yarn and then woven.

Examples of Naturally-dyed Yarn

My tour company, Ancient Summit, also takes clients to a village where one gets a chance to learn about textile production one-on-one in a non-commercial setting, but I’ll talk about that visit in a later post.

Weaving was also highlighted during my visit to Taquile.

What I want to discuss in this post is what wasn’t discussed by any of my tour guides–the historical role of Andean textiles.  Two excellent books on this subject are: 

Woven Stories: Andean Textiles and Rituals, by Andrea Heckman, a trekking guide who earned a Ph.D. in Latin American Studies based on her anthropological-art history research, (2003), and

Weaving in the Peruvian Highlands, Dreaming Patterns, Weaving Memories, by Nilda Alvarez (2007).  Nilda, a weaver from Chinchero, established the Center for Traditional Textiles of Cusco.

During the 100-year reign of the Incas, most adults had to pay a tax in labor, the mit’a.  Men typically served in the military or worked on public construction projects.  Women wove, and a percentage of their output became the property of the Inca.  The finest pieces became his personal property, but most of the cloth was stockpiled in storehouses and used to reward government service and clothe the army.  In an economy without money, cloth was a highly-valued commodity.

In a society without the written word, textiles played a vital role in communication.  “Weavings were a metaphorical presentation of the world” in which they lived. (Heckman, p. 8)  Each village had its own cloth patterns and clothing styles.  Even today it is possible for the knowledgeable to pinpoint someone’s hometown if he or she is wearing something made of homemade cloth.

Most of the weavings were arrangements of various geometric designs.  Both the pattern and arrangement had meaning, making it possible to convey complex ideas.  Unfortunately, as women migrate to urban areas in order to move beyond subsistence living, the traditional stories and meanings that were passed orally from one generation to the next along with the craft of weaving are being lost.  Efforts to stem the loss of craft and knowledge vary from the skill-based efforts of the Center for Traditional Textiles of Cusco to the knowledge-based efforts of  AI researchers at the London Knowledge Lab.

Typical Weaving Patterns

The inclusion of animals and birds in chullos and sweaters for tourists is a modern adaptation in response to market demands.  The weavers on Taquile have gone further than just adding non-geometric units to their weaving; they invented a cloth object just for the tourist trade–the calendar belt.  For a discussion of the history of weaving on Taquile and the effects of tourism, see anthropologist Elayne Zorn’s Weaving a Future: Tourism, Cloth and Culture on an Andean Island (2004).

A Taquile Weaving in Progress

Taquile Design Details

Having studied the effects of tourism (via Fred Harvey) on the arts and crafts of the Navajo and Hopi, I found Zorn’s work particularly interesting.  Unfortunately, I’ve not been able to find a scholarly study that addresses the issue of  how tourism and commercialization of crafts effect native cultures.

Some additional resources:

“The Cultural Significance of Andean Cloth and Implications of Its Decline”

Taquile and Its Textile Art

Ollantaytambo Terraces and Temples

Unlike Pisac, the residential quarters were in the valley.  The structures atop the rocky spur, which was drastically modified to create the appropriate setting, were ceremonial, religious buildings, and they were never completed.  Since Pachacuti died around 1471, some fifty years before the arrival of the Spanish, the estate was technically owned and managed by and for his panaca or descendants.  At one time, there were around 1,000 workers on the estate, but none of the sources I’ve read speak to its status before Manco Inca arrived after initiating his rebellion in Cusco and retreating to here in July 1536 when Sacsayhuaman was lost to the Pizarros. 

Agricultural Terraces of Pumatallis at Ollantaytambo

Remember my post on the battle over Cusco (November 19th)?  Here, I take up that story again.

Manco Inca set up his headquarters at Ollantaytambo while part of his army continued to lay siege to Cusco and one of his best generals, Quizo Yupanqui, set about insuring Francisco Pizarro could not send reinforcements from Lima with an ultimate goal of routing Francisco Pizarro out of Lima.  Manco quickly turned the rural estate into a fortress.

Ollantaytambo--Funerary Sector

Note the incredible amount of work that must have gone into carving out the steps and smoothing the walls.

Hand-smoothed Walls at Ollantaytambo

When Hernando Pizarro pursued Manco to Ollantaytambo with 100 Spanish soldiers (70 calvary and 30 infantry) and 30,000 native allies, his forces encountered a stronghold filled with 30,000 soldiers, many of them Antis from the jungles armed with bows and arrows.  Using  slingshots and bows to hurl rocks and arrows from terraces about a quarter-mile to the east of those shown here, Manco’s warriors fought off the Spanish.  Meanwhile, he had the dams used to channel water from the river into the valley’s irrigation system destroyed, so that the Spanish horses lost their maneuverability in the rising water.  They barely managed to escape from the valley and never re-attempted a takeover of Ollantaytambo.

Of course, within a few months, Almagro returned to Cusco, and both he and Hernando were more interested in wooing Manco’s support in their struggle to gain control of each other.  Sometime in 1537, Manco decided neither faction could be trusted and that his situation was so precarious he’d be safer in the jungle at Vilcabamba and abandoned Ollantaytambo.  Once the Pizarros eliminated Almagro, they pursued Manco, who again managed to escape, but his wife did not.  The Pizarros took her back to Ollantaytambo where they tortured and killed her, and then sent her body down the river to let Manco know what they had done.

For some reason, perhaps because the residential area was on the valley plains and not in a defensible, hillside position, Ollantaytambo remained inhabited and now proudly boasts that it has some of the oldest continuously occupied dwellings in South America.

The following view, taken from the funerary sector looking across the terraces to the temple sector, depicts several features worthy of further discussion–the Enclosure of the Ten Niches on the uppermost terrace level and the incomplete Temple of the Sun at the upper right where the people are standing.  Note the massive, partially cut stones that litter the unfinished site.

To the right of the ten niches is the Wall of the Unfinished Gate.

Enclosure of the Ten Niches and the Wall of the Unfinished Gate

No one knows where the doorway would have led.

Wall of the Unfinished Gate

This wall and those of this set of terraces were constructed using a unique form of masonry not found anywhere else.  Named scutiform masonry by Harthe-terre, many of the stones have tails that project into the joint in the course below.  Compare these walls with those of the Enclosure of Ten Niches, where there are no such tails.

Note the difference in masonry between the Enclosure of the Ten Niches and the other walls

As Jean-Pierre Protzen notes in his book on Inca Architecture and Construction at Ollantaytambo, this site, due to its work-in-progress nature, provides an unparalleled opportunity for studying Inca construction methods.  Many of the stones that appear destined for the Sun Temple were being re-cycled, but there is nothing to indicate what the original structure was or where it was located.

Partially worked stones and the north wall of the Sun Temple

Here’s an even closer look at the really odd north wall.  Note the crude rubble fill between the obviously recycled stones,

North Wall of Sun Temple

and compare it to the exquisite, cyclopean Wall of Six Monoliths which faces towards the people standing on the left.

Wall of Six Monoliths

I don’t remember where I saw the following stockpile of building material, so I can’t connect them to Protzen’s diagrams.

Niches in Waiting? Discards? Leftovers?

On the plain below the Fortress, I found this beautiful fountain, which is still working.

The direct road from Cusco at 11,000+ feet to Pisac at about 9,000 feet goes up before it goes down. To get a better feel for the change in topography, check out the terrain version of this map.  My first view of the Sacred Valley was from the viewpoint above Taray.

The Urubamba River, which from its start near Puno was called the Vilcanota by the Inca, has carved a wide, fertile valley from this point to Ollantaytambo, giving rise to the alternative name for this stretch–the Wilcamayu or Sacred River.  Sheltered by the mountains on both sides, the valley’s temperate climate is ideal for the growing of maize, beans and barley.  The valley is a checkerboard of mostly small farms which continue to be worked with oxen and foot plows.

The return route via Urubamba and Chinchero includes a long stretch on a high plateau,

with stunning views of moutain peaks

and hillsides filled with ruins of Incan granaries.

Just a short drive from the road near Urubamba are the remnants of what I call the Incan Agricultural Research Center as its purpose was similar to that of the USDA’s Beltsville facility. 

Incan agronomists used the 30-degree (F) temperature differential between the top and bottom of the 90-foot deep natural depressions at Moray to hybridize seeds–to improve plant productivity and  increase zone hardiness.  For example, the coca plant, which was native to the lower altitudes of the Amazon basin, was acclimatized to grow near Cuzco.

Nearby at Maras there are extensive salt mines.  When I saw this stop on my itinerary, I was initially very surprised.  You see, I grew up in the Finger Lakes region, where most of this country’s salt is mined–underground, and there are NO tours.  (See Salt Mines and Brine Wells in the Finger Lakes for a history of salt mining in the US.)

Then I remembered that I had taken a tour at least 30 years ago of what might be called the world’s oldest salt mine at Hallein, Austria.  After approximately 6,000 years, mining ceased in the mid-1990s when the underground mine was no longer profitable.

Surprise!  The Maras salt mine is on top of the ground.  More than 200 families from two villages work one or more of these small pools which are filled from one small trickle of water that is channeled as it exits the mountainside.  To get the best quality salt, someone must came and walk the pools regularly as the water evaporates.  Talk abut labor intensive!  Compare this method with the ones now used in the Finger Lakes.

Salt-cicles? Stalactites?